Sans Normal Ofbav 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Moony' by Brave Type, 'Phi' by Cas van de Goor, 'Benn Beckman' by Factory738, 'Acherus Grotesque' by Horizon Type, 'Madera' by Monotype, and 'Megabyte' by Type Atelier (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, confident, modern, approachable, punchy, brand clarity, high impact, everyday readability, modern neutrality, rounded, geometric, clean, solid, open counters.
A heavy, geometric sans with round, cleanly drawn curves and largely uniform stroke thickness. The forms lean on circular bowls and straightforward verticals, producing a stable rhythm with wide, open counters (notably in O, C, e, and o). Terminals are mostly flat and crisp, while joins stay smooth and uncluttered; diagonals (A, V, W, X) are sturdy and symmetrical. The lowercase is simple and legible, with a single-storey a and g, a compact e with a tight aperture, and a tall, clean i/j with round dots. Numerals are bold and simple, with clear shapes and minimal detailing for strong readability at display sizes.
Best suited for headlines, brand marks, packaging, and bold UI or signage where high contrast against the background and quick letter recognition matter. It performs especially well in short phrases and display settings that benefit from its rounded geometry and strong color on the page.
The overall tone is upbeat and contemporary, with rounded geometry that feels welcoming rather than technical. Its weight and simplified construction give it a confident, punchy voice suited to attention-grabbing messaging without becoming aggressive.
The design appears intended to deliver a modern, friendly geometric sans optimized for strong presence and simple, reliable legibility. It prioritizes consistent shapes and open counters to stay clear in prominent, marketing-forward applications.
The typeface maintains a consistent, no-nonsense construction that favors clarity over personality details; the Q’s tail and the J’s hook add just enough distinction to aid recognition. Round letters remain very circular, which strengthens branding consistency, while the dense weight can reduce internal space at smaller sizes.