Script Urno 2 is a very light, normal width, high contrast, italic, very short x-height font.
Keywords: wedding, invitations, branding, editorial titles, packaging, elegant, romantic, refined, formal, delicate, formal elegance, calligraphic feel, statement capitals, luxury tone, signature style, flourished, ornate, hairline, calligraphic, swashy.
A delicate, calligraphic script built from hairline strokes with pronounced thick–thin modulation. Letterforms are strongly slanted and highly cursive, with generous entry and exit strokes that often extend into long, looping swashes. The capitals are large and expressive, featuring wide oval bowls and high-reaching ascenders, while the lowercase is compact with a noticeably low x-height and airy internal counters. Overall spacing feels open and graceful, with a light touch that favors smooth curves over angular joins.
This script is well suited to wedding stationery, invitations, and formal announcements where expressive capitals can take center stage. It also works effectively for boutique branding, cosmetic or fragrance packaging, and editorial titling or pull quotes that benefit from a refined, handwritten signature feel. For best results, it favors larger sizes and generous line spacing so the flourishes can breathe.
The font conveys a poised, romantic tone with a sense of ceremony and luxury. Its fine strokes and sweeping flourishes read as classic and intimate, suited to moments where elegance and personal warmth are the primary message.
The design appears intended to emulate formal pointed-pen calligraphy in a clean, consistent digital form, emphasizing graceful movement and decorative capitals. It prioritizes elegance and expressive swashes over compact neutrality, aiming to elevate short phrases and names with a ceremonial, premium finish.
The swash-heavy capitals and long horizontal connectors create a flowing rhythm that can become visually prominent in longer lines. Numerals follow the same hairline, italicized construction, blending seamlessly with the script rather than standing as rigid, text-like figures.