Sans Faceted Egso 3 is a very bold, normal width, monoline, italic, tall x-height font visually similar to 'Outdoor Cafe JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, sports branding, posters, logotypes, gaming, futuristic, aggressive, sporty, industrial, comic-book, impact, speed, tech edge, branding, display, angular, faceted, chamfered, slanted, blocky.
A heavy, slanted sans built from sharp planar facets, with corners consistently chamfered into crisp diagonals. Strokes are broadly uniform in weight, producing a strong, poster-like texture with minimal curvature and a distinctly geometric construction. Counters are compact and often polygonal, and many terminals end in blunt, angled cuts that create a forward-driving rhythm. The overall spacing and proportions favor tall lowercase with sturdy, squared silhouettes, while the numerals follow the same beveled, cut-metal logic for a cohesive set.
Best suited for short, high-impact text such as headlines, posters, event graphics, and branding marks where the sharp facets can be read as a deliberate stylistic cue. It also works well for esports/gaming titles and product or team identities that benefit from a fast, engineered tone, rather than long-form reading.
The letterforms read fast and forceful, projecting speed and impact through their oblique stance and hard-edged facets. The aesthetic evokes motorsport graphics and sci‑fi tech branding—confident, competitive, and slightly confrontational—while staying clean enough to feel modern rather than decorative.
The design appears intended to deliver a bold, speed-oriented display voice by replacing curves with beveled planes and maintaining a consistent slant. Its geometric cuts and compact counters suggest an emphasis on visual punch, cohesion across caps/lowercase/numerals, and an unmistakably modern, performance-driven personality.
The faceting introduces distinctive internal angles and notch-like joins in several letters, creating a machined, aerodynamic feel. Because the counters are tight and the shapes are highly stylized, the font tends to look best when given room to breathe and when used at sizes where the internal cuts remain clear.