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Free for Commercial Use

Sans Normal Budej 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Helvetica Now' by Monotype, 'Lyu Lin' by Stefan Stoychev, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: ui text, wayfinding, presentations, editorial, branding, neutral, modern, clean, straightforward, functional, versatility, clarity, neutrality, system use, utility, grotesque, closed apertures, compact, rounded terminals, uniform stroke.


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This sans serif has uniform, low-contrast strokes and a compact, workmanlike build. Curves are smoothly rounded and generally circular, while joins stay crisp and controlled, giving the letters a steady rhythm. Uppercase forms feel sturdy and slightly condensed in presence, with broad verticals and restrained shaping; the lowercase keeps a clear, conventional structure with straightforward bowls and a simple, single-storey “g”. Numerals match the letterforms with even weight and plain geometry, emphasizing clarity over flourish.

It suits interface typography, signage and labels, and general-purpose layouts where a neutral sans is needed. The sturdy uppercase works well for headings and navigation, while the consistent lowercase and numerals make it appropriate for short paragraphs, captions, and data-heavy text where an even typographic color is desirable.

The overall tone is neutral and modern, with an understated, no-nonsense voice. It reads as practical and dependable rather than expressive, making it easy to pair with more distinctive display elements. The tight, controlled drawing gives it a subtly utilitarian, contemporary feel.

The design appears intended as a versatile, everyday sans serif with simplified constructions and a controlled, compact rhythm. Its emphasis on even strokes, restrained details, and consistent proportions suggests a focus on clarity, neutrality, and easy integration into a wide range of visual systems.

Apertures tend to be relatively closed (notably in forms like “c” and “e”), which increases solidity and dark color in text. The lowercase “t” has a short, minimal crossbar and the “g” is single-storey, both reinforcing a simplified, contemporary texture. Spacing and proportions appear even and consistent, supporting a stable typographic color across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸