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Free for Commercial Use

Shadow Yagi 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Metcon' by Comicraft, 'Jostern' by EMME grafica, 'Marcher' by Horizon Type, 'Qualion' by ROHH, 'Mundial Narrow' by TipoType, and 'Coco Gothic Pro' and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, playful, chunky, retro, quirky, punchy, impact, novelty, texture, dimensionality, retro appeal, rounded, bulbous, cutout, notched, posterish.


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A heavy, rounded display face with compact proportions and blunt terminals, built from broadly swollen strokes and simplified, almost geometric counters. Many glyphs feature distinctive bite-like notches and cut-ins that create an irregular inner silhouette and a subtly fragmented edge rhythm. Curves are dominant (notably in C, O, S, and numerals), while straight-sided forms keep a blocky, solid stance; joins and corners are softened rather than sharp. Spacing appears fairly tight at text sizes, with dense word shapes and strong black mass that prioritizes impact over fine detail.

Best suited for short, high-impact settings such as headlines, posters, packaging, and branding where its chunky silhouette and cutout detailing can be appreciated. It can work for logos and display lockups that want a friendly but bold presence; for longer passages, it will perform better with generous size and spacing.

The overall tone is playful and slightly mischievous, combining cartoonish softness with a rugged, cutout texture. It reads as retro-leaning and attention-grabbing, with a handmade, stamped feel that adds character and humor.

The design appears intended as a characterful display font that merges rounded, approachable letterforms with deliberate cut-in details to add texture and a hint of dimensionality. Its primary goal is to create strong, memorable word shapes for attention-driven typography.

Several forms show asymmetrical cut details that behave like inset shadows or chipped edges, giving the face a dimensional, crafted look without relying on thin strokes. The distinctive internal cutouts become a primary identifying feature, especially in lowercase bowls and rounded capitals, and will be most visible at medium to large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸