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Free for Commercial Use

Groovy Ahpe 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio and 'MVB Diazo' by MVB (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids branding, stickers, playful, groovy, cheerful, retro, cartoon, retro flair, playful display, friendly impact, whimsical branding, blobby, rounded, puffy, bouncy, soft.


Free for commercial use
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A heavy, rounded display face with swollen, blobby strokes and softly pinched joins that create an uneven, hand-molded rhythm. Terminals are fully rounded and often slightly asymmetrical, giving counters a squishy, organic feel. The texture is dense and inky, with simplified forms and minimal interior detail; letters like S, E, and R show gentle waviness rather than strict geometric construction. Figures and lowercase follow the same buoyant logic, with compact bowls, short extenders, and a generally chunky silhouette that reads as intentionally irregular while staying consistent across the set.

Best suited for short, high-impact display use such as posters, event titles, playful branding, packaging, and social graphics. It also fits children’s products, casual food and beverage labels, and retro-themed designs where a bubbly, groovy voice is desired. For longer text, using larger sizes and added spacing helps maintain clarity.

The font projects a lighthearted, funky tone with a friendly, comedic warmth. Its bubbly silhouettes and subtly wiggly contours evoke mid-century pop and 60s–70s-inspired psychedelia, leaning more cute than wild. Overall, it feels informal and attention-seeking, designed to make text feel approachable and fun.

Likely intended as a bold, characterful display font that captures a retro-groove mood through inflated forms and gentle irregularity. The design prioritizes personality and immediacy over typographic neutrality, aiming to feel hand-shaped and exuberant in headings and logos.

In paragraph settings the weight produces strong color and the irregular contours become a noticeable texture, so it performs best with generous tracking and line spacing. The narrow-ish proportions and bulky strokes can cause counters to feel tight at smaller sizes, while at larger sizes the soft shaping and bouncy baseline energy become a clear stylistic asset.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸