Print Wumuk 7 is a very light, very narrow, very high contrast, italic, short x-height font.
Keywords: invitations, headlines, posters, branding, packaging, elegant, whimsical, expressive, airy, calligraphic, expressive display, calligraphic flair, handwritten elegance, dramatic contrast, brushy, swashy, spiky, loosely cursive, tapered.
A highly calligraphic handwritten print with sharply tapered strokes and pronounced thick–thin modulation. Letterforms lean strongly forward and sit on a lively, slightly wavering baseline, with long ascenders/descenders and frequent entry/exit flicks that create a brisk, gestural rhythm. Terminals often finish in needle-like points or small wedge-shaped brush marks, and many capitals include subtle swashes and hooked starts that emphasize motion. Spacing and widths vary per glyph, reinforcing a natural, hand-drawn cadence rather than a rigid typographic texture.
Best suited to short, display-oriented settings where its contrast and sweeping strokes can be appreciated—such as invitations, titling, posters, boutique branding, and packaging accents. It works well for emphasizing names, quotes, or key phrases, especially at larger sizes where the fine hairlines and sharp terminals remain clear.
The overall tone feels refined yet playful—like quick ink or brush lettering used for expressive emphasis. Its crisp contrast and sharp terminals give it a dramatic, fashion-forward edge, while the loose, handwritten irregularities keep it personable and slightly mischievous.
The design appears intended to capture fast, confident pen/brush calligraphy in an unconnected print style—prioritizing flourish, contrast, and motion over uniform texture. It aims to deliver an upscale handwritten voice for expressive display typography rather than continuous body text.
Uppercase forms are especially decorative and attention-grabbing, while lowercase remains lighter and more delicate, with compact counters and minimal connection between letters. The numerals continue the same angled, tapered brush logic, with some figures reading more linear and gestural than geometric.