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Sans Superellipse Pebef 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'School Activities JNL' by Jeff Levine, 'Gemsbuck Pro' by Studio Fat Cat, 'Forgotten Futurist' by Typodermic, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, techno, industrial, sporty, futuristic, sturdy, impact, modernity, clarity, branding, signage, squared, rounded, blocky, compact, geometric.


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A heavy, geometric sans built from squared-off forms with generously rounded corners, giving many bowls and counters a soft superellipse feel. Strokes are consistently thick with minimal modulation, and terminals are blunt and flat, reinforcing a machined, constructed look. Curves are controlled and boxy rather than circular, with wide, rectangular counters in letters like O and P and a generally compact interior rhythm. Spacing and proportions feel built for impact, with simple joins and clear, schematic silhouettes that stay legible at display sizes.

This font performs best in high-impact roles such as headlines, posters, titles, and branding marks where its blocky geometry can read quickly. It also suits packaging, signage, and sports or tech-oriented identity systems that benefit from a sturdy, engineered presence. For longer text, it’s better used in short bursts or larger sizes to avoid overly dense typographic color.

The overall tone is assertive and utilitarian, with a contemporary, tech-forward character. Its rounded-rectangle geometry reads as engineered and modern, balancing friendliness from the softened corners with a tough, no-nonsense weight. The resulting voice feels suited to bold messaging where clarity and presence matter more than delicacy.

The design appears intended to deliver a bold, modern sans with a distinctive rounded-rectangle construction—combining strong presence with smooth corners for a contemporary, manufactured aesthetic. Its consistent stroke weight and simplified shapes suggest a focus on repeatable geometry and clear, punchy silhouettes for display-driven typography.

Several glyphs emphasize angular construction (notably the diagonals in A, V, W, and X) while keeping corners softened for consistency. The numerals share the same squared, rounded-corner logic, creating a cohesive alphanumeric system. In text, the heavy color and compact counters produce a strong, poster-like texture that benefits from generous tracking and ample line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸