Serif Normal Ogmud 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FF Tundra' by FontFont, 'Hyperon' and 'Orbi' by ParaType, 'Haggard Nova' by TipografiaRamis, 'Eskapade' by TypeTogether, and 'Gart Serif' by Vitaliy Gotsanyuk (names referenced only for comparison).
Keywords: headlines, book titles, editorial design, posters, packaging, authoritative, traditional, editorial, scholarly, formal, readability, authority, classic tone, display impact, bracketed serifs, oldstyle figures, calligraphic, ink-trap free, rounded joins.
A sturdy serif with bracketed, wedge-like terminals and generously rounded curves. Strokes are robust and fairly even, with just enough modulation to keep counters open and letterforms legible at display and text sizes. The uppercase shows classical proportions with confident vertical stress and strong, slightly flared serifs, while the lowercase is compact and sturdy with a two-storey “a,” a looped “g,” and a high-contrast, forward-leaning ear on “g” that adds liveliness without becoming decorative. Numerals read as oldstyle figures with ascenders and descenders, reinforcing a bookish rhythm and a slightly traditional texture.
Best suited for headlines, titles, and editorial typography where a traditional serif voice and strong presence are desired. It can also work for short-form text such as pull quotes, section heads, and packaging copy where a darker, more authoritative texture is appropriate.
The overall tone is classic and serious, projecting editorial authority and a familiar, literary voice. Its weight and crisp serifs give it a confident presence suited to formal communication, while the rounded shaping keeps it approachable rather than severe.
The font appears designed to provide a conventional, trustworthy serif that feels rooted in book typography, while adding enough weight and curvature to stand out in display settings. Its oldstyle numerals and sturdy, bracketed serifs suggest an emphasis on classic reading rhythm and editorial credibility.
Spacing in the samples appears comfortable, producing a dark, even typographic color. The design favors strong silhouettes—especially in letters like “T,” “V,” and “W”—which helps headlines hold together and gives short phrases a decisive, engraved-like solidity.