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Free for Commercial Use

Sans Superellipse Pymiz 2 is a regular weight, very narrow, low contrast, upright, normal x-height font visually similar to 'Area' by Blaze Type, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Neue Plak' and 'Neue Plak Display' by Monotype, and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, modern, condensed, clean, technical, editorial, space-saving, clarity, modernity, systematic feel, display focus, tall, monoline, rounded, minimal, crisp.


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This typeface is a tall, tightly set sans with monoline strokes and strongly condensed proportions. Curves are drawn with rounded-rectangle logic rather than perfect circles, giving counters and bowls a slightly squared softness. Terminals are clean and mostly flat, with consistent stroke endings and little to no flare. The lowercase is compact and straightforward, with a short-armed r, a simple single-storey g, and a narrow s; punctuation and numerals follow the same restrained, condensed rhythm.

It performs best in display contexts where space is limited and a tall condensed voice is desirable—headlines, poster typography, storefront or wayfinding-style signage, and brand systems that need a compact yet modern sans. It can also work for short bursts of text such as captions, labels, and UI headings where a narrow measure is advantageous.

The overall tone is contemporary and utilitarian, balancing a friendly roundedness with a disciplined, engineered feel. Its narrow stance and even color suggest efficiency and order, with a subtle retro-industrial flavor often associated with condensed signage and editorial headlines.

The design appears intended to deliver a space-saving condensed sans that remains readable and consistent by using even strokes and superelliptical rounding. Its geometry prioritizes a uniform vertical rhythm and a controlled, contemporary texture suitable for modern layouts and identity work.

Round letters like O and Q read as vertically oriented superellipses, and the Q adds a succinct diagonal tail that stays within the tight footprint. Diagonals in A, V, W, X, and Y are sharp and stable, while joins remain clean, avoiding calligraphic modulation. The spacing in the sample text reinforces a compact texture that stays uniform across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸