Sans Superellipse Esboz 10 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Flexo' and 'Flexo Soft' by Durotype, 'FS Millbank' by Fontsmith, 'Facto' by The Northern Block, and 'JP Alva' by jpFonts (names referenced only for comparison).
Keywords: ui labels, dashboards, wayfinding, packaging, posters, modern, technical, energetic, clean, sporty, forward motion, modern branding, clean emphasis, geometric clarity, oblique, rounded, geometric, superelliptical, compact joints.
A slanted sans with geometric, superellipse-like bowls and smoothly rounded corners that keep curves tight and controlled. Strokes are monolinear with crisp terminals, and the italic angle is consistent across capitals, lowercase, and figures, giving the design a forward-leaning rhythm. Uppercase forms are broad and stable, while lowercase counters stay open and compact; the overall texture reads even, with slightly condensed joins and clean diagonals that stay sharp without becoming spiky. Numerals follow the same rounded-rectangle logic, with sturdy, uncomplicated shapes and clear differentiation.
It works well for interface labels, navigation, and dashboard-style typography where a clean, modern slanted sans can add emphasis without resorting to heavy weight. The even stroke and compact geometry also suit branding, packaging, and poster headlines that benefit from a dynamic, forward-leaning voice.
The overall tone feels contemporary and efficient, with a subtle speed-and-motion cue from the steady slant. Its rounded geometry softens the voice just enough to feel approachable, while the controlled shapes and even color keep it purposeful and workmanlike.
The design appears aimed at delivering a modern italic sans that feels fast and contemporary while maintaining a disciplined, geometric structure. The superelliptical curves and consistent slant suggest an intention to balance friendliness with technical clarity for display and short-to-medium text settings.
Round letters like C, G, O, Q, and e show a consistent superelliptical construction, and the curves tend to flatten slightly at the extremes rather than staying purely circular. The dot on i/j is compact and clean, and the italic treatment reads as an oblique strategy applied uniformly rather than calligraphic modulation.