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Free for Commercial Use

Wacky Tege 2 is a bold, normal width, low contrast, italic, normal x-height font.

Keywords: headlines, posters, logos, sports branding, game titles, dynamic, futuristic, playful, sporty, techy, express motion, stand out, sci-fi tone, brand mark, display impact, oblique, angular, rounded corners, extended terminals, notched cuts.


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A sharply oblique, heavy-leaning display face built from angular, squared forms with rounded corners and consistent, low-contrast strokes. Many glyphs feature distinctive notches and cut-in corners, plus extended horizontal terminals and occasional underlines that create a fast, engineered rhythm. Counters are compact and somewhat rectangular, and overall spacing feels lively and uneven by design, with letterforms that vary in footprint while still sharing a cohesive, modular geometry. Numerals and capitals echo the same slanted, beveled construction, emphasizing speed and impact over neutrality.

Best suited to short, high-impact settings such as headlines, posters, title cards, branding marks, and packaging where its slanted geometry and notched details can be appreciated. It also fits motion- and speed-adjacent themes—sports, racing, esports, and gaming UI accents—especially when used with generous tracking and strong contrast against the background.

The tone is energetic and slightly eccentric, mixing a retro-futuristic “racing” feel with quirky, attention-grabbing detailing. It reads as confident and kinetic, with a stylized swagger that suggests motion, machines, and arcade-era tech rather than formal publishing.

The design appears intended to deliver a fast, futuristic display voice by combining a pronounced oblique stance with angular, chamfer-like shaping and playful, irregular detailing. Its construction prioritizes recognizable stylistic cues—cuts, extended bars, and compact counters—to create a distinctive, one-off texture for branding and titles rather than continuous text.

The strong slant and frequent horizontal extensions can create distinctive word-shapes, but they also increase the chance of visual collisions in dense settings. The design’s signature cut-ins and underlines are a major part of its personality and become most legible at medium-to-large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸