Sans Faceted Liha 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Laika Sky' by Ghozai Studio (names referenced only for comparison).
Keywords: headlines, posters, logos, ui labels, game titles, techno, industrial, futuristic, gaming, mechanical, tech aesthetic, modular system, display impact, ui clarity, angular, faceted, chamfered, geometric, modular.
A geometric sans with squared forms and crisp, faceted corners that replace most curves with short diagonals and chamfers. Strokes are monoline and sturdy, with wide apertures and flattened terminals that keep shapes open and structured. Counters tend toward rounded-rectangles, and many joins show deliberate notches or clipped corners, creating a modular, engineered rhythm. The overall spacing reads even and practical, with a consistent blocky footprint across caps, lowercase, and numerals.
Best suited for display typography where the faceted detailing can read clearly—headlines, posters, branding marks, and product or event identities with a tech or industrial angle. It also works well for interface labels, dashboards, and game/UI treatments that benefit from a structured, engineered look. For extended reading, it’s strongest when used for short blocks, navigation, or emphasis rather than dense paragraphs.
The faceted construction and clipped geometry give the typeface a technological, utilitarian tone—more “hardware interface” than “humanist.” It feels assertive and mechanical, with a retro-future edge that suggests screens, machinery labels, and sci-fi UI. The sharp planes add energy without becoming decorative, keeping the mood controlled and functional.
The design appears intended to deliver a clean sans foundation with a distinctive faceted surface language—turning round geometry into planar, machined shapes. It prioritizes a consistent modular system and strong silhouettes to project a contemporary, technical character while staying legible and orderly.
Distinctive chamfers on corners and diagonally cut strokes create recognizable silhouettes at display sizes. Numerals and uppercase share a disciplined, signage-like structure, while lowercase maintains the same engineered logic, avoiding soft calligraphic cues. The design’s consistent planar cuts help unify the set, though the angular detailing becomes the defining texture in longer lines.