Serif Flared Hagak 5 is a very bold, normal width, medium contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, packaging, event promos, sporty, assertive, retro, energetic, headline, add motion, boost impact, retro display, brand emphasis, poster clarity, wedge serif, flared terminals, forward-leaning, high impact, angular.
A heavy, right-leaning serif with pronounced flared terminals and wedge-like finishing strokes that create a carved, directional feel. Strokes are robust with moderate modulation and a slightly calligraphic rhythm, while curves stay taut and compact rather than airy. The design keeps relatively tight counters for its weight, with crisp joins and pointed diagonals that add snap to letters like V, W, X, and Y. Numerals match the letterforms in mass and slant, reading as sturdy, display-oriented figures.
Best suited to headlines, subheads, and short bursts of copy where its mass and slant can communicate speed and confidence. It works well for sports and entertainment branding, poster titling, and packaging or labels that need an assertive voice. For longer text, larger sizes and generous leading help maintain clarity given the dense color.
The overall tone is fast and forceful, with a forward-tilting stance that suggests motion and urgency. Its sharp terminals and bold color give it a confident, slightly retro, poster-like attitude that feels at home in attention-grabbing settings. The texture in paragraphs is dense and emphatic, prioritizing impact over quiet neutrality.
This font appears designed as a high-impact italic serif that blends traditional wedge-like finishing with a modern, energetic silhouette. The flared terminals and sturdy forms aim to deliver a distinctive, motion-forward personality for display typography where immediacy and presence are key.
The slanted construction and flared endings produce strong horizontal movement and distinctive word shapes, especially in mixed-case text. The lowercase shows a compact, energetic pattern with firm entry/exit strokes, while round forms remain weighty and tightly enclosed. In longer lines, the dark typographic color becomes a defining feature, making spacing and line length particularly noticeable in the overall rhythm.