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Stencil Olmo 8 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Franklin-Antiqua' by Berthold and 'Caslon Stencil' and 'URW Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, labels, industrial, authoritative, vintage, rugged, mechanical, stenciled impact, industrial signage, retro display, brand emphasis, slab serif, cutout, bridge cuts, poster, display.


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A very heavy slab-serif display design with pronounced stencil breaks that create clear bridges through stems, bowls, and crossbars. The letterforms are built from broad, high-contrast masses with crisp, squared terminals and a compact interior structure, producing strong black shapes and distinct negative cutouts. Curves are robust and controlled, and many counters are partially segmented by the stencil joins, giving a deliberate, engineered rhythm across capitals, lowercase, and figures.

Works best for short, prominent text such as posters, headlines, signage, labels, and packaging where the stencil construction can be read at a glance. It can also suit branding for industrial, outdoor, or heritage-themed products, especially in larger sizes where the internal bridges and cutouts stay crisp.

The overall tone is bold and utilitarian, evoking industrial marking, freight/warehouse labeling, and mid-century poster stenciling. Its chunky silhouettes and bridged cutouts feel assertive and slightly retro, with a rugged, workmanlike character that reads as practical and no-nonsense.

The design appears intended to merge a classic slab-serif foundation with a purposeful stencil mechanism, delivering maximum impact while preserving recognizability. It prioritizes bold presence and a manufactured, repeatable look typical of marking and display contexts.

The stencil interruptions are integrated into the core construction rather than appearing as incidental gaps, making the cutout pattern a defining visual motif. The weight and dense counters suggest it will hold up best when given space (tracking/leading) so the internal breaks remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸