Slab Square Subah 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Kievit Slab' and 'FF Milo Slab' by FontFont, 'CamingoSlab' and 'Rooney' by Jan Fromm, and 'Questa Slab' by The Questa Project (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, magazines, editorial, confident, retro, sporty, friendly, display impact, editorial voice, retro feel, sturdy readability, brand presence, slab serif, oblique, bracketed serifs, rounded joins, sturdy.
This typeface is a sturdy, oblique slab serif with heavy, square-shouldered serifs and a compact, punchy color on the page. Strokes are broadly even with only slight modulation, and many terminals finish with blunt slabs that keep the texture crisp. The design shows gently rounded transitions at joins and a slightly calligraphic slant that softens the otherwise blocky construction. Counters are open and generously shaped, producing clear internal spaces in letters like a, e, o, and g, while the overall rhythm remains dense and emphatic.
It performs best in short to medium settings where impact and character matter—headlines, subheads, pull quotes, poster typography, and brand or packaging statements. In editorial layouts it can add a confident voice to titles and deck lines, and its sturdy construction helps it hold up in high-contrast print and display applications.
The tone reads confident and energetic, combining a classic slab-serif backbone with a lively italic motion. It suggests a vintage, print-forward sensibility—robust and assertive without feeling severe. The result feels well suited to expressive, attention-getting typography that still retains conventional letterforms.
The design appears intended to deliver an italicized slab-serif voice that is both assertive and readable, pairing strong, square serifs with softened curves to keep the texture friendly. It aims for a versatile display presence that nods to traditional print forms while remaining contemporary in its weight and clarity.
Uppercase forms are broad and stable with prominent slab feet, while the lowercase leans more noticeably and carries much of the personality through curved terminals and rounded shoulder shapes. Numerals appear weighty and headline-ready, matching the strong serif presence and maintaining a consistent, bold texture across mixed text.