Script Allav 2 is a light, very narrow, high contrast, italic, short x-height font.
Keywords: wedding, invitations, greeting cards, branding, packaging, elegant, romantic, whimsical, refined, airy, formal script, signature feel, decorative initials, celebratory tone, display lettering, calligraphic, looped, flourished, bouncy, delicate.
This script has a slender, calligraphic construction with pronounced thick–thin modulation and a consistently right-leaning posture. Strokes are smooth and continuous, with tapered entries/exits and frequent looped forms on ascenders and capitals. Letterforms are tall and narrow with generous vertical reach, while the lowercase maintains a compact body size and relies on long ascenders/descenders for emphasis. Terminals are softly rounded, and the overall rhythm is lively, alternating between tight counters and sweeping curves for a graceful, handwritten flow.
It suits applications where a handwritten, upscale feel is desirable—wedding stationery, invitations, greeting cards, and boutique branding. The tall, narrow forms make it effective for names, headlines, short quotes, and logo-style wordmarks, especially when there’s room to showcase the looping capitals and ascenders.
The tone feels elegant and personable, balancing formal calligraphy cues with a light, playful bounce. Its looping capitals and soft terminals suggest romance and celebration, while the restrained stroke weight keeps it airy rather than heavy or dramatic.
The design appears intended to emulate formal pen lettering in a clean, contemporary way, prioritizing graceful motion, decorative capitals, and a polished handwritten finish. It aims to provide a distinctive signature-like look that remains readable in short-to-medium display settings.
Capitals are notably decorative and individualistic, often using extended lead-in strokes and enclosed loops that create distinctive silhouettes in initials. Numerals follow the same flowing logic, with curved spines and occasional swash-like turns that read as coordinated with the letters. Spacing appears naturally cursive rather than rigidly uniform, supporting an organic, hand-drawn texture in longer words.