Sans Superellipse Midi 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Autoprom Pro' by Stefan Stoychev (names referenced only for comparison).
Keywords: ui design, app branding, technology logos, gaming, headlines, techy, futuristic, friendly, clean, modular, modernize, systematize, soften geometry, screen clarity, brand distinctiveness, rounded, squared-off, monoline, soft-cornered, geometric.
A geometric sans built from rounded-rectangle and superellipse-like forms, with smooth corners and a consistent monoline stroke. Counters tend to be squarish with generous rounding, producing a compact, engineered feel rather than purely circular geometry. Terminals are blunt and softly radiused, and joins stay clean without visible flaring or stroke modulation. Overall spacing reads even and controlled, supporting clear word shapes in longer lines of text.
Well suited to interface typography, product branding, and technology-oriented identities where a crisp, contemporary voice is needed. It performs especially well in headings, labels, and short-to-medium text on screens, and can also support packaging or editorial display where a futuristic, rounded-rect aesthetic is desired.
The design conveys a modern, tech-forward tone with a friendly softness from its rounded corners. Its modular, screen-friendly shapes suggest digital interfaces and futuristic branding while staying approachable and readable. The overall impression is confident and orderly, with a slightly playful sci‑fi edge.
The font appears designed to merge geometric clarity with soft-corner ergonomics, using superellipse-style construction to feel both technical and approachable. Its consistent stroke and controlled proportions aim for dependable legibility while maintaining a distinct, futuristic personality.
Distinctive squared counters and rounded corners show up consistently across letters and numerals, creating a cohesive system. The numerals share the same rounded-rect geometry, and the punctuation (such as the colon and apostrophe) matches the same softened, solid presence. The mix of rounded forms and flat-sided structures gives the face a unique, “engineered” rhythm in both uppercase and lowercase text.