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Free for Commercial Use

Wacky Boky 4 is a very bold, very narrow, high contrast, upright, tall x-height font.

Keywords: posters, logotypes, album covers, headlines, event flyers, gothic, theatrical, vintage, aggressive, playful, display impact, blackletter twist, thematic branding, decorative texture, blackletter, fraktur, angular, chiseled, beveled.


Free for commercial use
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A condensed, display-oriented blackletter with sharply faceted strokes and pronounced, chiseled terminals. Forms are built from vertical pillars with tight internal counters and frequent wedge cuts, creating a rhythmic pattern of hard angles and narrow apertures. Many glyphs show split or notched joins and diamond-like details at corners, giving the impression of carved facets rather than smooth pen modulation. Numerals and capitals keep the same rigid, architectural construction, maintaining a consistent dark, graphic texture across lines of text.

This font is best suited to short, high-impact settings such as posters, album/track art, brand marks, and bold headlines where its blackletter texture can be appreciated. It performs well in large sizes and high-contrast layouts, and can add a gothic or vintage edge to titles, packaging, or themed event materials.

The tone is dramatic and gothic with a slightly mischievous, offbeat edge. Its rigid geometry and blade-like cuts read as assertive and theatrical, evoking posters, metal aesthetics, and old-world signage while still feeling intentionally quirky and stylized. The overall color is dense and attention-grabbing, prioritizing character over neutrality.

The design appears intended to reinterpret blackletter through a tightly condensed, faceted construction that maximizes visual punch. Its crisp wedge cuts and architectural vertical emphasis suggest a goal of creating a distinctive, decorative voice for display typography, balancing historic cues with intentionally quirky, attention-seeking shapes.

Spacing appears tight and the heavy verticals create strong striping, especially in uppercase runs. The ampersand and several lowercase forms lean into decorative idiosyncrasies, reinforcing a novelty display intent rather than extended reading comfort.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸