Sans Faceted Idbor 3 is a very light, narrow, low contrast, upright, normal x-height font.
Keywords: display, headlines, posters, branding, packaging, futuristic, technical, geometric, edgy, diagrammatic, sci‑fi flavor, geometric system, display impact, stylized minimalism, angular, faceted, wireframe, monoline, polygonal.
A monoline, geometric sans built from straight strokes and sharp planar joins, replacing curves with clipped corners and polygonal facets. Letterforms are slender and generally condensed, with a consistent light stroke weight and a slightly irregular, hand-drawn precision in the angles. Counters and bowls tend toward octagonal or hexagonal shapes, and diagonals are used prominently to define forms such as A, V, W, X, and the numerals. Spacing and widths vary by glyph, giving the set a pragmatic, constructed rhythm rather than a strictly modular feel.
Best suited to display settings where its angular construction can be appreciated: headlines, short phrases, logos, and graphic identities in tech, gaming, and speculative-fiction contexts. It can work for packaging or event graphics where a wiry, geometric texture is desired, while longer passages may benefit from generous size and spacing due to the many sharp joins.
The overall tone is crisp and sci‑fi, evoking technical schematics, minimalist neon signage, and retro-futurist interfaces. Its faceted construction reads as inventive and slightly eccentric, balancing a clean sans sensibility with a crafted, experimental edge.
The design appears intended to translate a faceted, polygon-based aesthetic into a readable sans, prioritizing a distinctive geometric voice over neutral text utility. Its consistent straight-line vocabulary suggests a deliberate effort to make the entire character set feel constructed from the same planar system.
Several key shapes lean into polygonal geometry—most notably O/0-like forms and rounded letters such as C, G, and S—creating a distinctive “cut” silhouette at text sizes. The light strokes and frequent corners make the texture airy but busy, with sharp terminals that emphasize directionality and motion across a line.