Script Bidag 3 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: headlines, posters, packaging, greeting cards, children’s media, playful, whimsical, storybook, retro, handwritten charm, friendly display, retro warmth, casual branding, bouncy, rounded, brushy, informal, expressive.
A lively handwritten script with a brush-pen feel, combining rounded bowls and tapered terminals with occasional bulb-like stroke endings. Strokes show clear contrast between thicker downstrokes and lighter connecting or entry strokes, creating a rhythmic, calligraphic texture. Letterforms are mostly upright with gentle, springy curves; several uppercase shapes read like simplified display caps rather than fully looped capitals. Connectivity is partial—some letters link with short joins while others sit more independently—giving the text an easy, drawn-on look. Numerals and capitals share the same soft, slightly irregular finish for a cohesive set.
Best suited to short-to-medium display settings where its playful brush-script personality can be appreciated, such as headlines, invitations, greeting cards, packaging, and café or boutique branding. It can also work for pull quotes or titling in children’s and lifestyle contexts, while long paragraphs may feel busy due to the strong contrast and expressive terminals.
The overall tone is friendly and whimsical, with a hint of vintage charm and storybook warmth. Its buoyant curves and brushy contrast make it feel informal and personable rather than formal or ceremonial.
Designed to capture a hand-drawn, brush-lettered script look with approachable charm, balancing legibility with decorative stroke endings. The intention appears to be a versatile display script that feels personal and upbeat without becoming overly ornate.
Round counters and open apertures keep forms recognizable, while the lively stroke endings add character and a handcrafted cadence. The narrow proportions and compact lowercase make the texture feel dense, especially in longer lines, where the expressive terminals become a prominent stylistic feature.