Sans Superellipse Abrij 12 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Almarena Mono' by Almarena, 'Chromatic Mono' by Colophon Foundry, and 'Arial' by Monotype (names referenced only for comparison).
Keywords: code, ui labels, data tables, terminal ui, signage, utilitarian, technical, clean, modern, industrial, clarity, alignment, system ui, technical tone, robustness, squared-round, boxy, minimal, sturdy, neutral.
A monospaced sans with squared-round construction: many curves resolve into rounded-rectangle bowls and terminals, giving letters a compact, engineered silhouette. Strokes are even and dark with little modulation, and joins are crisp and orthogonal, producing a steady, grid-friendly rhythm. The lowercase is straightforward and workmanlike, with a single-storey “a,” a simple “g,” and a plain, vertical “i” with a square dot; counters tend to be squarish and open rather than fully circular. Numerals follow the same sturdy geometry, with blocky curves and flat-ish horizontals that read clearly at display and UI sizes.
Well-suited for coding environments, terminal-style interfaces, and technical documentation where consistent alignment matters. It also fits dashboards, tables, and UI labeling, and can work for bold, minimal headlines that benefit from a structured, monospaced texture.
The overall tone is pragmatic and technical, evoking terminals, instrumentation, and system interfaces. Its squared curves and consistent spacing feel disciplined and no-nonsense, leaning more toward functional clarity than expressiveness.
The design appears intended to provide a clear, system-like reading experience with an engineered, squared-round aesthetic. By combining uniform spacing with compact, squircle-inspired curves, it aims to stay highly legible while projecting a modern technical character.
The wide, consistent character widths create strong vertical alignment in text and make the texture feel deliberate and mechanical. Uppercase forms are bold and simple, with broad horizontals on letters like E/F and a compact, geometric G; rounded letters (C/O/Q) stay more squircle-like than truly circular, reinforcing the industrial voice.