Sans Superellipse Onnis 6 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Lustra Text' by Grype, 'Government Issue JNL' by Jeff Levine, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui labels, tech branding, headlines, signage, posters, techy, futuristic, clean, utilitarian, industrial, futurism, system design, geometric clarity, brand distinctiveness, rounded corners, squared rounds, soft geometry, compact apertures, stencil-like cuts.
A geometric sans built from squared, superelliptical curves and straight, monoline strokes. Corners are consistently rounded, producing rounded-rectangle counters in forms like O, D, and 0, while diagonals (A, K, V, W, X, Y) stay crisp and angular. Apertures and joins are relatively tight, with several letters showing deliberate breaks or notches (notably in B, S, and 8), giving a subtly segmented, engineered feel. The lowercase keeps a sturdy, compact construction with single-storey a and g and blocky terminals that echo the squared-round theme.
This design suits technology-oriented branding, product interfaces, dashboards, and concise UI labels where a geometric, engineered texture is desired. It also performs well in headlines and signage, especially at medium to large sizes where the rounded-rect geometry and intentional breaks become a defining stylistic asset.
The overall tone is modern and technical, with a controlled, systemized rhythm that reads as machine-made rather than handwritten. Rounded corners soften the voice just enough to feel approachable, but the segmented details and squared counters keep it firmly in a sci‑fi/industrial register.
The letterforms appear designed to evoke contemporary industrial and digital environments through a consistent rounded-rectangle geometry, tight apertures, and occasional segmented cuts. The goal seems to be a clean, futuristic sans that remains legible while projecting a distinctive, system-built personality.
Numerals are especially display-forward: 0 is a rounded square, 1 is a simple vertical with minimal shaping, and 2/3/5/8/9 feature squared curves and small cut-ins that reinforce the modular aesthetic. The Q uses a compact tail treatment that stays inside the rounded-square silhouette, maintaining the font’s tidy footprint.