Print Jodiz 11 is a bold, normal width, monoline, upright, short x-height font visually similar to 'JollyGood Sans Condensed' by Letradora (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, branding, playful, friendly, bubbly, casual, youthful, hand-lettered feel, approachability, cheerful display, casual emphasis, rounded, soft terminals, chunky, hand-drawn, high contrast shapes.
A chunky, rounded display face with smooth, blobby contours and gently irregular hand-drawn rhythm. Strokes stay broadly even in thickness, but the outlines wobble slightly, giving each letter a lively, organic feel. Counters are generally open and rounded, with generous curves and softened corners; joins and terminals tend to end in pill-like caps rather than sharp cuts. Proportions vary from glyph to glyph, with wide, buoyant rounds (like O and Q) alongside narrower, stickier forms, producing an intentionally uneven, informal texture.
Best suited for short-to-medium display copy such as posters, titles, product packaging, playful branding, and educational or children-oriented materials. It can also work for casual social graphics and event signage where friendliness and immediacy matter more than typographic precision.
The overall tone is warm and upbeat, like marker lettering used for crafts, kids’ materials, or cheerful signage. Its soft geometry and bouncy spacing read as approachable and humorous rather than strict or technical, making text feel conversational and light.
The design appears intended to mimic bold, hand-lettered print made with a marker or brush pen, emphasizing softness, approachability, and a lively, imperfect rhythm. Its construction prioritizes character and charm over strict consistency, aiming to deliver an instant, informal personality.
Uppercase and lowercase share the same soft, swollen construction, keeping a consistent cartoon-like voice across cases. Numerals match the rounded, slightly wobbly silhouette and are designed to feel friendly rather than rigidly engineered. The face is most comfortable at larger sizes where its irregularities and soft shaping become part of the charm.