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Free for Commercial Use

Solid Gumo 4 is a very bold, normal width, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, logos, packaging, merchandise, playful, retro, punchy, cartoonish, cheeky, grab attention, add humor, retro display, graphic impact, quirky branding, chunky, blobby, soft-cornered, slanted, high-impact.


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A chunky, heavily slanted display face with rounded, swollen forms and a deliberately uneven rhythm. Many counters are reduced or fully closed, producing bold silhouettes that read as solid shapes rather than traditional letterforms. Strokes are mostly monoline in feel, but the geometry shifts from glyph to glyph—mixing rounded bowls with sharp, wedge-like terminals and occasional notch cuts that add jittery texture. Curves are wide and inflated, joins are abrupt, and spacing appears intentionally irregular, reinforcing a hand-cut, collage-like impression.

Best suited to short, high-impact settings such as posters, event flyers, bold headlines, logo wordmarks, packaging callouts, and merchandise graphics. It performs particularly well when set large with generous tracking, where its solid shapes and quirky cuts can be appreciated without sacrificing legibility.

The font conveys a playful, rebellious energy with a strong retro-cartoon flavor. Its heavy, collapsing interiors and exaggerated slant make it feel loud and humorous—more like a graphic stamp or poster headline than a neutral text tool. The overall tone is quirky and attention-seeking, with a slightly mischievous, novelty character.

The design appears intended to maximize impact through solid, counter-collapsing forms and a dynamic forward slant, prioritizing character and silhouette over conventional readability. Its irregular details and varied internal shaping suggest a deliberate novelty approach aimed at humorous, retro, or pop-culture driven branding and display typography.

Distinctive silhouettes and filled-in interiors create high mass and strong shape recognition at large sizes, but the closed counters and idiosyncratic forms can reduce clarity in longer passages or at smaller sizes. Numerals and capitals follow the same bold, cutout logic, keeping the set visually consistent as a graphic system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸