Sans Faceted Ompa 3 is a bold, narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, apparel, gothic, industrial, authoritative, retro, edgy, impact, branding, modern gothic, display, angular, faceted, condensed, geometric, monolinear.
This typeface is built from sharp, planar strokes that replace curves with crisp facets and chamfered corners. Stems are heavy and largely monolinear, with small angular notches and wedge-like terminals that create a carved, sign-painted feel. Counters tend to be compact and polygonal, and joins are tight, producing a dense rhythm in text. The overall construction is clean and sans in structure, but consistently stylized through the repeated use of straight segments and pointed internal angles.
It performs best in headlines, titles, and short emphatic lines where the angular detailing can be appreciated. The sturdy strokes and condensed presence also suit logos, packaging labels, album or event posters, and apparel graphics that benefit from a strong, stylized wordmark. For longer passages, generous sizing and spacing help preserve clarity.
The faceted geometry and hard terminals give the font a stern, assertive tone with a gothic-industrial edge. It evokes blackletter-influenced display lettering without becoming ornate, projecting a sense of tradition, toughness, and high impact. The resulting voice feels suited to dramatic, high-contrast messaging and branded statements where a distinctive, uncompromising personality is desired.
The design appears intended to deliver a modern, display-oriented take on gothic and engraved lettering cues using a strictly faceted, straight-edged system. By keeping stroke contrast minimal while emphasizing chamfers, notches, and polygonal counters, it aims to balance legibility with a distinctive, hard-edged character for branding and impact typography.
Round letters like O and Q are rendered as multi-sided forms, reinforcing the mechanical, cut-from-plate impression. In the sample text, the tight internal spaces and angular apertures make the face feel most comfortable at larger sizes, where the facets read as intentional detail rather than congestion.