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Free for Commercial Use

Sans Superellipse Ukmid 3 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Handmade Gothic JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, industrial, techno, authoritative, retro-futurist, urban, space-saving impact, tech aesthetic, modular consistency, display emphasis, squared, rounded corners, condensed, modular, stencil-like.


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A condensed, heavy sans with a modular, rounded-rectangle construction. Strokes are largely monoline and terminate in squared ends softened by consistent corner rounding, creating a superelliptic feel across bowls and counters. Apertures tend to be tight and counters are compact, with frequent notches and cut-ins that introduce a slightly stencil-like rhythm without breaking full connectivity. The overall texture is dense and high-contrast against the page due to the thick strokes and narrow letterforms.

Best suited to headlines and display settings where its dense, geometric personality can carry the composition. It works well for branding and logo wordmarks in tech, industrial, gaming, or sci‑fi themed contexts, and can be effective on packaging or labels where a compact, impactful line length is useful.

The tone feels industrial and engineered, with a techno/arcade edge and a confident, commanding presence. Its compact, blocky shapes read as utilitarian and modern, while the rounded corners keep it from feeling overly harsh, lending a controlled retro-futurist character.

The letterforms appear designed to deliver maximum impact in minimal horizontal space while maintaining a consistent, modular geometry. The rounded-rectangle skeleton and repeated notch details suggest an intention to evoke engineered signage and retro-tech display typography with strong visual uniformity.

The design leans on repeated geometric motifs—rounded rectangles, slot-like counters, and small interior cutouts—which creates strong stylistic cohesion across uppercase, lowercase, and numerals. The sample text shows a pronounced dark color and tight internal spacing, suggesting it benefits from generous tracking and larger sizes to keep interiors clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸