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Sans Superellipse Enrig 3 is a regular weight, very wide, low contrast, italic, normal x-height font visually similar to 'Shary' by Alit Design (names referenced only for comparison).

Keywords: branding, headlines, posters, ui display, sports graphics, futuristic, tech, sporty, retro, speed emphasis, tech styling, streamlined geometry, display impact, rounded, geometric, streamlined, superelliptic, squarish rounds.


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This sans typeface is built from smooth, rounded-rectangle (superellipse) forms with generously rounded corners and softly squared counters. Strokes are monolinear and clean, with a consistent rounded terminal treatment that keeps joins and ends feeling aerodynamic rather than sharp. The letterforms are noticeably extended and slanted, giving lines a fast horizontal pull; curves stay taut and controlled, while straighter sections are slightly softened. Numerals and capitals share the same squarish-round construction, producing a cohesive, engineered rhythm across text and display sizes.

It works best where a sleek, contemporary voice is needed: branding wordmarks, headlines, posters, product titling, and UI/display contexts that benefit from a clean, futuristic slant. The strong geometry and wide set can also suit automotive, technology, gaming, and sports-oriented graphics where speed and modernity are key.

The overall tone reads modern and forward-leaning, with a subtle retro-tech flavor reminiscent of streamlined industrial and sci‑fi interface lettering. The wide stance and italic motion add an energetic, sporty feel, while the rounded geometry keeps it friendly rather than aggressive.

The design appears intended to fuse geometric clarity with a streamlined, motion-driven slant, using superelliptic construction to deliver a distinctive, modern identity. Its consistent rounding and extended proportions suggest a focus on impactful display typography that remains orderly and legible in short to medium-length text.

Distinctive superelliptic bowls and rounded corners create strong silhouette recognition, especially in characters like O, Q, and the rounded lowercase forms. The wide proportions and smooth joins emphasize horizontal flow, making the design feel optimized for motion and signage-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸