Sans Faceted Idnuf 6 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, headlines, branding, posters, interface, technical, futuristic, architectural, minimal, precise, diagrammatic feel, futuristic branding, geometric clarity, constructed detailing, monoline, geometric, wireframe, modular, schematic.
A monoline geometric sans built from hairline strokes and crisp circular bowls, with joins and terminals rendered as tiny squared caps that read like plotting points or connector nodes. Curves are largely smooth and near-perfectly round, while straights are rigid and vertical/horizontal, producing a clean, engineered rhythm. Several letters incorporate slight breaks, inset corners, or clipped details at terminals, giving the outlines a constructed, modular feel rather than a continuous pen stroke. Spacing appears open and airy, and the overall color on the page remains extremely light due to the fine stroke weight.
Best suited to display sizes where the hairline construction and terminal details can be appreciated—logotypes, titles, packaging accents, posters, and technology-forward branding. It can also work for UI labeling or motion graphics where a schematic, futuristic tone is desired, though its very light strokes may need sufficient size and contrast for clarity.
The font communicates a cool, technical tone—more like a diagram or interface label than a handwritten or editorial voice. Its node-like terminals and wireframe construction suggest digital tooling, drafting, and contemporary sci‑fi minimalism. The overall impression is precise and delicate, with an intentionally schematic personality.
The design appears intended to merge a clean geometric sans skeleton with a constructed, faceted/connector aesthetic, emphasizing precision over warmth. By combining round bowls with clipped terminals and node-like endpoints, it aims to evoke drafting, digital systems, and modern technical minimalism.
The distinct terminal treatment—small square endcaps and occasional notches—creates a recognizable texture in both uppercase and lowercase, especially in rounded forms like C, G, O, and S. Numerals follow the same geometric logic, with simplified structures and sharp, clipped endpoints that keep the set consistent with the alphabet.