Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Inline Tady 8 is a very bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, stickers, comic, punk, playful, handmade, rowdy, attention grab, handmade feel, comic energy, edgy display, graphic texture, angular, jagged, outlined, faceted, chunky.


Free for commercial use
Customize the font name

A chunky, angular display face built from faceted, irregular polygons with a hand-cut feel. Letters are heavy and mostly solid, with a crisp inline highlight carved through the strokes and a thin outer outline that emphasizes the silhouette. Corners are sharp and slightly inconsistent, creating a lively rhythm; counters are compact and often irregular, and widths vary noticeably across the alphabet. The overall texture is high-impact and graphic, with strong black shapes broken up by the internal linework for extra sparkle and separation.

Best suited for short, prominent text such as posters, event titles, album/mixtape art, gaming or comic-themed branding, packaging callouts, and punchy social graphics. It can also work for expressive logotypes where a bold, handmade, slightly chaotic character is desirable; it is less appropriate for long-form reading or small UI text.

The tone is loud and mischievous, blending comic-book energy with a rough-edged, DIY attitude. Its jagged facets and carved inlines give it a bold, poster-ready presence that feels playful, rebellious, and attention-seeking rather than refined or corporate.

The design appears intended to deliver maximum impact with a playful, rough-cut look: heavy silhouettes for presence, paired with an inline carve to add detail and readability. The variable widths and intentionally imperfect angles suggest a stylized, hand-crafted display font aimed at energetic, youth-oriented or alternative aesthetics.

The inline cut and outline combine to keep dense letterforms legible at display sizes while adding a sense of motion and depth. The irregular geometry and variable widths contribute to a deliberately uneven, hand-drawn cadence across words and lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸