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Wacky Nufo 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Morandi' by Monotype, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Morl' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, event flyers, album covers, game titles, chaotic, punky, playful, gritty, rebellious, grab attention, add texture, signal diy, create impact, evoke chaos, distressed, shattered, rough-cut, chunky, uneven.


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A heavy, blocky display face with irregular, broken contours and chiseled-looking cut-ins that create strong internal highlights and notches. The letterforms keep a mostly upright stance and compact proportions, but edges wobble and corners fracture, producing an intentionally inconsistent rhythm across the set. Counters are often pinched or partially occluded by the distressing, and terminals tend to end in blunt, torn shapes. Overall color is dense and inky, with texture-driven interruption rather than smooth curves or clean geometry.

Best suited to short, high-impact text such as posters, headlines, event flyers, packaging callouts, and title treatments where texture is part of the message. It works well in entertainment contexts—games, Halloween or horror-comedy promotions, and music/club visuals—where a rough, disruptive tone is desirable.

The font communicates a loud, mischievous attitude—somewhere between DIY punk, spooky fun, and slapstick chaos. Its jagged interruptions and uneven silhouettes give it a gritty, handmade energy that feels rowdy and attention-seeking rather than refined or neutral.

The design appears intended to deliver an expressive, one-off display look by combining bold stencil-like mass with deliberate damage and irregular carving. Its goal is to read quickly from a distance while projecting a rough, unruly personality through consistent distressing motifs across letters and numbers.

In the sample text, the heavy texture remains legible at large sizes but can busy up tight spacing and smaller settings as the fractured details start to compete with counters. Numerals follow the same battered silhouette logic, reinforcing a cohesive, poster-like voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸