Print Heroj 9 is a bold, narrow, medium contrast, reverse italic, short x-height font.
Keywords: posters, headlines, album art, game titles, event flyers, playful, handmade, quirky, edgy, lively, expressiveness, attention grabbing, hand-lettered feel, novelty tone, dramatic display, angular, brushy, spiky, irregular, upright-leaning.
A bold, hand-drawn print face with angular, brush-cut strokes and an intentionally uneven rhythm. Letterforms show sharp terminals, wedge-like joins, and slightly wobbly contours that suggest quick marker or brush lettering. Counters are compact and often asymmetrical, with variable glyph widths and tight internal space that keeps the texture dense. Capitals are tall and assertive, while lowercase forms are simplified and narrow with a notably small x-height, producing a top-heavy line color and pronounced ascender presence. Numerals match the jagged, cut-paper energy, with strong diagonals and irregular curves that prioritize character over precision.
This font is well suited to display settings such as posters, headlines, packaging callouts, and entertainment-oriented graphics where a handmade, high-energy look is desired. It can work for short phrases, titles, and pull quotes, especially in music, gaming, seasonal, or novelty contexts, but is less appropriate for long-form reading.
The overall tone feels mischievous and energetic, with a comic, spooky, and slightly punk edge. Its rough, angular gestures and uneven spacing read as expressive and handmade rather than polished or formal, giving text a lively, attention-grabbing voice.
The design appears intended to emulate fast, expressive hand lettering with bold brush strokes and intentionally imperfect geometry. Its distinctive angular cuts and compact counters suggest a focus on character and impact, aiming to deliver an informal, dramatic voice in display typography.
The silhouette is strongly defined by pointed terminals and frequent diagonal cuts, creating a chiseled, spiky texture across words. In running text, the irregular widths and bouncy baseline add personality but also increase visual noise, making it best when used with generous tracking and at larger sizes.