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Slab Contrasted Piny 10 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Publica Slab' by FaceType, 'ITC Lubalin Graph' by ITC, 'Weekly' by Los Andes, 'Sharp Slab' by Monotype, 'Fenomen Slab' by Signature Type Foundry, 'Pepi/Rudi' by Suitcase Type Foundry, and 'Kettering 105' by Talbot Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, editorial, heritage, confident, sturdy, retro, impact, readability, heritage voice, printy texture, stability, slab serif, bracketed, blocky, ink-trap feel, rounded joins.


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A heavy slab-serif design with broad proportions, compact counters, and firmly planted, rectangular serifs. Strokes read largely even, with subtle modulation and softened transitions where stems meet slabs, giving the letterforms a slightly rounded, pressed-ink feel. The curves are generous and full (notably in the rounds), while joins and terminals stay blunt and authoritative, creating a steady, high-impact rhythm. Numerals match the robust texture, with wide, stable shapes and simple, emphatic forms.

Best suited to display use where its strong slabs and broad shapes can carry personality—headlines, posters, brand marks, and packaging. It can also work for short, bold editorial subheads or pull quotes where a sturdy, traditional voice is desired, though the heavy color may feel dominant in long text.

The font communicates a confident, no-nonsense tone with a classic, workmanlike presence. Its bold slabs and broad stance evoke editorial and heritage sensibilities—suggesting traditional print, signage, and packaged-goods practicality—while still feeling clean and contemporary in its consistency.

The design appears intended to deliver maximum presence and readability through a sturdy slab-serif structure, balancing blunt, rectangular features with softened transitions for a more printed, approachable finish. It aims for a versatile, classic voice that feels at home in both contemporary branding and traditional editorial contexts.

Spacing and sidebearings appear tuned for dense, headline-style setting, producing a dark, even typographic color in paragraphs. The slabs are substantial without appearing delicate, and the rounded interior shaping helps prevent the texture from feeling overly rigid at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸