Inline Rysi 12 is a very bold, very narrow, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, album covers, game titles, packaging, industrial, cryptic, noir, gothic, mechanical, attention, texture, drama, retro signage, branding, condensed, modular, angular, stenciled, cut-out.
A condensed, block-built display face with heavy vertical emphasis and squared terminals. Many glyphs are solid, monolinear silhouettes that are selectively carved with irregular internal voids and slit-like counters, creating a layered, cut-out look. Curves (notably in C, G, O, Q) are compact and geometric, while joins and corners stay crisp and rectilinear. The lowercase is tall and rigid with minimal modulation, and overall spacing reads tight with a strong, poster-like rhythm.
Best suited to large-scale display work where the internal carving can be appreciated: posters, title cards, album/film graphics, game branding, and bold packaging. It can also work for short labels or signage-style applications when used sparingly, but the inlaid voids may reduce clarity in long passages or at small sizes.
The carved interiors and stark black/white contrast give the face a clandestine, industrial tone—part gothic, part machine-made. It feels assertive and slightly unsettling, with a distressed-inlay character that suggests secrecy, coded signage, or pulp-era drama.
The design appears intended to blend a condensed industrial skeleton with decorative, inlaid cut-outs, turning simple block forms into attention-grabbing lettershapes. It prioritizes impact and texture over neutrality, using carved counters to create a distinctive, emblematic voice for titles and branding.
Uppercase glyphs show more decorative disruption—especially in letters like A, E, M, N, and X—while much of the lowercase and numerals are comparatively cleaner, reinforcing a hierarchy suited to headlines. Round letters retain a compact, almost engraved feel due to the internal cut shapes, which can visually thicken at small sizes.