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Free for Commercial Use

Sans Normal Yimav 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Mr Black' by Hipopotam Studio, 'Handbills And Posters JNL' and 'Longacre JNL' by Jeff Levine, 'Jonze' and 'Media Blackout' by KC Fonts, and 'Duotone' by Match & Kerosene (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, grunge, rugged, industrial, handmade, vintage, add texture, create impact, evoke print, signal grit, distressed, textured, rough-edged, inked, condensed.


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A compact, heavy sans with chunky strokes and intentionally rough, distressed edges. Counters are relatively small for the weight, and curves are slightly irregular, giving round letters a worn, ink-pressed look rather than clean geometry. The overall rhythm is tight and condensed, with sturdy verticals and simplified terminals that hold up as solid silhouettes. Texture is consistent across caps, lowercase, and figures, reading as a controlled “weathered” treatment rather than random noise.

Best suited to display contexts where strong impact and texture are desirable: posters, album/cover art, event titles, and brand marks with a rugged aesthetic. It also fits packaging labels, merchandise graphics, and short callouts in advertising. For longer passages, it will perform better at larger sizes where the distressed edges read as character rather than visual noise.

The font conveys a gritty, workmanlike tone—evoking stamped packaging, screen-printed posters, and worn signage. Its distressed texture adds urgency and tactility, suggesting authenticity and a DIY, analog feel. The narrow proportions and dense color make it feel loud and assertive even in short phrases.

The design appears intended to deliver a bold, condensed voice with an intentionally worn surface—combining a straightforward sans structure with a distressed finish to create immediate visual attitude. It prioritizes impact and texture over pristine readability, aiming for an analog, stamped or printed-on-rough-stock impression.

Spacing appears fairly tight and the dense texture can visually merge at smaller sizes, especially in enclosed forms like B, e, a, and 8. The numerals are bold and blocky with the same eroded contour treatment, supporting headline-style use. Mixed-case text maintains a consistent, robust color, with the lowercase remaining compact and sturdy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸