Sans Superellipse Dafe 6 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, tech branding, signage, posters, futuristic, technical, minimal, sleek, precise, digital aesthetic, system coherence, modern clarity, industrial tone, rounded, geometric, modular, clean, open.
A geometric sans built from straight runs and softened corners, with many curves resolved as rounded-rectangle (superellipse-like) bowls. Strokes are uniformly thin and consistent, producing a crisp, schematic rhythm. Terminals are clean and mostly squared-off via rounding rather than tapering, and counters tend to be open and rectangular, especially in letters like C, G, O, and e. Diagonals (A, K, V, W, X, Y) are sharp and linear, contrasting with the rounded corners elsewhere, while several lowercase forms lean toward single‑storey, simplified constructions for a modular feel. Figures follow the same rounded-rect logic, with angular segments and softened corners for a coherent, systemized numeral set.
Well-suited to interface text, dashboards, and product labeling where a clean, modern tone is desired, as well as display uses like posters and tech-forward headlines. Its modular geometry and rounded corners also work well for wayfinding and short informational copy where a sleek, engineered voice fits the context.
The overall tone is contemporary and forward-looking, with a tech-interface character that feels engineered rather than expressive. Its restrained geometry and rounded-square curves suggest digital instrumentation, product UI, and modern industrial design aesthetics.
Likely designed to translate a rounded-rect, digital-industrial geometry into an approachable sans, balancing strict construction with softened corners for a friendly, modern finish. The simplified letterforms and consistent curvature point to an intention of system coherence across caps, lowercase, and numerals.
The design favors clarity through open apertures and simplified joins, giving it a compact, grid-friendly presence. Corners are consistently radiused across glyphs, which helps unify letters with very different structures and keeps the texture even in running text.