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Free for Commercial Use

Inline Mige 4 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, logotypes, headlines, packaging, signage, deco, industrial, retro, technical, playful, display impact, decorative detail, retro styling, signage feel, geometric, stencil-like, carved, segmented, high impact.


Free for commercial use
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A heavy geometric sans with rounded bowls, straight terminals, and a distinctive carved inline treatment that creates white channels and cut-ins within otherwise solid strokes. Forms lean on simple circles and rectangles, with occasional angled joins (notably in diagonals) that add a slightly mechanical, constructed feel. Counters are generally open and generous for such a dense weight, while the inline cutouts introduce sharp internal notches and asymmetries that vary by glyph, creating a lively rhythm across words. Spacing appears straightforward and display-oriented, with clear, high-contrast silhouettes even where interior detailing becomes busy.

Best suited to headlines, posters, and branding where a strong silhouette and decorative interior carving can be appreciated. It can work well for packaging, event titles, and signage-inspired graphics, especially in large display sizes. For long passages or small UI text, the interior cutouts may reduce clarity compared with a plainer sans.

The overall tone reads retro-futurist and Art Deco–adjacent, mixing confident signage weight with a crafted, engraved look. The inline carving adds a playful, slightly eccentric personality—more showpiece than utilitarian—suggesting motion and fabrication rather than quiet neutrality. It feels at home in bold, attention-seeking settings where decorative internal detail is part of the message.

The design appears intended to deliver a bold, geometric display voice with an engraved/inline effect that adds visual texture without relying on contrast or serifs. Its constructed shapes and consistent carving suggest a focus on retro display aesthetics and high-impact branding applications rather than body-text neutrality.

The inline cutouts are a major identity feature and become more prominent at larger sizes; at smaller sizes the interior detailing may visually fill in or compete with the counters. Curved letters (O, Q, C, G) showcase the circular construction most clearly, while straight letters (E, F, L, T) emphasize the blocky, sign-like geometry. Numerals follow the same carved motif, with some digits featuring more intricate internal shaping than others.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸