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Sans Superellipse Sorad 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Odradeck' by Harvester Type, 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, 'Robson' by TypeUnion, 'Aeroscope' by Umka Type, and 'Queency' by Vampstudio (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, industrial, poster, retro, assertive, graphic, impact, condensation, space saving, condensed, blocky, rounded corners, vertical stress, closed apertures.


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A condensed, heavy sans built from rounded-rectangle geometry, with softened corners and a strong vertical emphasis. Strokes are largely uniform and the interior counters are tight, often reduced to narrow vertical openings, creating a high-ink, compressed rhythm. Curves read as squared-off bowls rather than true circles, and joins stay blunt and simplified, reinforcing a sturdy, monolithic silhouette. Uppercase forms dominate with tall proportions; lowercase echoes the same compressed structure with compact bowls and minimal interior space, while figures follow the same blocky, tightly spaced construction.

Best suited for headlines and short display settings where its dense, condensed texture can deliver impact—posters, signage, branding marks, and packaging. It can work for emphatic subheads or pull quotes when set with extra spacing, but it is less comfortable for small-size continuous reading due to the tight counters.

The overall tone is bold and insistent, with a utilitarian, industrial feel that also nods to retro display lettering. Its compressed massing and reduced counters give it a no-nonsense, authoritative voice that reads as strong and graphic rather than delicate or conversational.

The letterforms appear designed to maximize presence in a narrow footprint, using rounded-rectangle construction and simplified internal space to produce a strong, uniform texture. The intent reads as a high-impact display sans that maintains a consistent, industrial rhythm across caps, lowercase, and numerals.

The design relies on narrow counters and closed apertures, which intensify weight and texture but can reduce clarity at smaller sizes. In longer lines, the condensed widths and dense blackness create a striking, uniform color that benefits from generous tracking and leading when used in text blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸