Sans Superellipse Ikrah 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Faculty' by Device, 'FS Jack' by Fontsmith, 'Danos' by Katatrad, and 'Domotika Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, stickers, playful, chunky, friendly, retro, quirky, friendly impact, playful branding, retro display, soft geometry, rounded, soft corners, compact, bouncy, posterlike.
A heavy, rounded sans with superellipse-like construction: strokes are thick and even, corners are broadly softened, and curves tend toward rounded-rectangle geometry rather than pure circles. The overall silhouette feels compact and blocky, with generous internal counters that keep forms open despite the weight. Terminals are blunt and smooth, and the alphabet shows a slightly irregular, hand-cut rhythm where widths and some contours vary subtly from glyph to glyph, giving the texture a lively, less-mechanical feel. Numerals and capitals read as sturdy, simplified shapes with consistent stroke density and clear, bold massing.
Best suited for headlines and short, high-impact copy where the chunky shapes and soft corners can carry personality. It fits branding applications such as logos, packaging, and labels, as well as playful editorial callouts, social graphics, and event posters where a friendly, retro-tinged presence is desirable.
The font projects a cheerful, approachable voice with a bold, cartoonish punch. Its soft geometry and slightly uneven rhythm create a playful, retro-leaning tone that feels more expressive than strictly utilitarian, lending text a bouncy, characterful presence.
The design appears intended to deliver maximum boldness with a friendly, rounded-rectangle vocabulary, combining sturdy legibility with a deliberately playful, slightly irregular rhythm. It aims to feel approachable and fun while still reading clearly at display sizes.
In the sample text, the dense weight produces strong word shapes and high visual impact, while the rounded construction helps prevent the page from feeling harsh. The slight variability between characters adds personality but also increases texture, making long paragraphs feel visually heavy compared to more neutral grotesks.