Sans Faceted Mihu 13 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype and 'Octin College' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sportswear, packaging, signage, industrial, techno, athletic, tactical, retro, impact, ruggedness, precision, modernity, utility, angular, chamfered, octagonal, blocky, compact.
A heavy, monoline display sans built from straight strokes and crisp chamfered corners, with curves largely replaced by faceted, octagonal forms. Capitals are tall and blocky with broad horizontals and consistent stroke thickness, while round letters like O, C, and G read as squared-off rings with clipped corners. Lowercase follows the same geometry, mixing simplified single-storey shapes with sturdy stems and short, squared terminals; counters stay relatively open despite the weight. Numerals match the system with angular, cut-corner silhouettes and a uniform, sign-like rhythm.
Best suited to short, high-impact settings such as headlines, posters, team or athletic branding, packaging panels, and signage where the angular details can be appreciated. It also works well for UI labels, badges, and technical-themed graphics when a tough, geometric voice is desired.
The overall tone is hard-edged and engineered, suggesting machinery, equipment labeling, and competitive sports graphics. Its faceted construction gives it a rugged, utilitarian personality with a subtle retro-digital flavor, reading assertive and no-nonsense at a glance.
The design appears intended to deliver a bold, durable display voice by translating a sans skeleton into a faceted, cut-corner geometry. The consistent chamfers and squared rounds suggest a goal of evoking industrial fabrication and sport/tech aesthetics while preserving clear, straightforward letterforms.
Diagonal joins and corner cuts are used consistently across the set, creating a distinctive stencil-like faceting without actual breaks. The texture stays dense in text lines, so it maintains presence but can feel busy at smaller sizes where the angled details visually cluster.