Script Limir 2 is a light, narrow, high contrast, italic, short x-height font.
Keywords: invitations, wedding, branding, headlines, certificates, elegant, formal, romantic, refined, vintage, formality, sophistication, celebration, calligraphic feel, decorative capitals, swashy, flourished, calligraphic, ornate, looped.
A flowing cursive design with slender strokes and pronounced thick–thin modulation, shaped by a consistent rightward slant. Letterforms feature generous entry and exit strokes, frequent looped terminals, and occasional long descenders that add vertical movement. Capitals are notably decorative, with larger proportions and swash-like curves that contrast with the simpler, more streamlined lowercase. Numerals follow the same calligraphic logic, using curved forms and tapered endings to keep the rhythm continuous across text.
This font is well suited to invitations, announcements, and wedding stationery where decorative capitals and a calligraphic rhythm are desirable. It also works effectively for logos, boutique branding, and editorial headlines that need a refined scripted accent. For longer passages, it is best used sparingly or at comfortable sizes to preserve clarity of the finer strokes.
The overall tone is polished and ceremonial, with a romantic, old-world flavor. Its flourishes and graceful curves suggest formality and celebration rather than casual handwriting, giving it a luxurious, invitation-like presence.
The design appears intended to emulate formal calligraphy with a consistent slanted pen logic, pairing ornate capitals with a more legible, continuous lowercase for practical setting. Its flourished terminals and looping details aim to deliver an upscale, celebratory impression in display-driven contexts.
Contrast and tapering create a crisp sparkle at larger sizes, while the delicate hairlines and compact interior spaces can become less clear when set small or tightly tracked. The most distinctive personality comes from the capital letters, which introduce prominent curls and loops that can dominate a line if used frequently.