Print Obbat 5 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: display, posters, book covers, packaging, craft branding, quirky, rustic, storybook, playful, handmade, handmade feel, warmth, whimsy, vintage craft, texture emphasis, wobbly, textured, organic, irregular, sketchy.
A hand-drawn, print-style serif with noticeably irregular outlines and a lightly distressed interior texture that reads like ink drag or dry-brush fill. Strokes vary subtly in thickness and edge smoothness, with small nicks and wobble that keep the rhythm lively rather than geometric. Serifs are soft and simplified, often appearing as short wedges or blunted feet, and curves are slightly lumpy, giving rounds like O and e a human, imperfect contour. Proportions are mixed and character-to-character spacing feels naturalistic, reinforcing an informal, drawn-on-paper look.
Best suited to display applications where its texture and irregularity can be appreciated—titles, posters, invitations, book covers, packaging, and branding that wants a handmade or vintage-craft feel. It can work for short bursts of text (pull quotes, subheads), but the rough detailing and uneven rhythm may become tiring in long body copy at small sizes.
The overall tone is quirky and storybook-like, with a rustic, handmade charm. The uneven edges and textured fill add a slightly spooky or whimsical flavor depending on setting, evoking craft signage, Halloween-season ephemera, or playful editorial titles.
The design appears intended to mimic hand-lettered serif printing with an intentionally imperfect, inked texture, prioritizing character and warmth over strict uniformity. It aims to feel personal and analog, like lettering made with a marker or brush pen and then reproduced for decorative type.
Uppercase letters carry the strongest personality through exaggerated, sketchy contours, while the lowercase and numerals appear a bit cleaner and more restrained, creating a casual contrast across the set. The texture becomes more noticeable at larger sizes, where the roughness reads as intentional detail rather than noise.