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Free for Commercial Use

Sans Contrasted Fybo 1 is a very bold, wide, high contrast, italic, tall x-height font.

Keywords: headlines, posters, sports branding, packaging, logos, sporty, retro, energetic, playful, assertive, impact, speed, display, branding, retro flair, slanted, blocky, rounded counters, ink-trap cuts, compressed apertures.


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A heavy, forward-slanted sans with chunky, compact shapes and pronounced stroke modulation. Forms are built from broad, sculpted strokes with rounded outer curves and tight, often teardrop-like counters (notably in O/o and numerals). Many glyphs show sharp, triangular cut-ins and notches at joins and terminals, giving a carved, ink-trap-like texture despite the overall softness of curves. The rhythm is tightly packed with short extenders, a prominent x-height, and a generally wide stance that reads stable and muscular in text.

Best suited for headlines, short bursts of copy, and branding where a forceful, fast aesthetic is desired—sports identities, event posters, product packaging, and logo wordmarks. It can work for subheads or pull quotes when set large, but the compact counters and dense texture make it less ideal for long passages.

The font projects speed and impact, with a sporty, poster-like punch and a distinctly retro display attitude. Its slanted geometry and chiseled notches add a dynamic, competitive feel, while the rounded counters keep it approachable and slightly playful. Overall it feels bold, loud, and attention-seeking—more headline than body copy.

The design appears intended to deliver maximum impact with a sense of speed, combining a bold slant with sculpted cut-ins that add character and prevent overly blunt shapes. Its proportions and tight apertures suggest a display-first focus aimed at strong visual presence in advertising and branding contexts.

The numeral set is especially graphic, with simplified silhouettes and strong diagonals that emphasize motion. Uppercase and lowercase share a consistent, condensed-to-blocky construction, and the diagonal stress plus cut-in terminals create a distinctive texture at larger sizes. At smaller sizes the tight apertures and small inner counters may require generous sizing and spacing to preserve clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸