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Free for Commercial Use

Sans Normal Mamut 11 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'PODIUM Sharp' by Machalski and 'Huben' by Minor Praxis (names referenced only for comparison).

Keywords: headlines, posters, logos, sports branding, packaging, retro, sporty, loud, playful, impactful, attention grabbing, branding, retro feel, high impact, signage, rounded, blocky, geometric, compact, soft corners.


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A heavy, wide sans with rounded, geometric construction and smooth transitions between straight stems and curved bowls. The letterforms are tightly built with minimal interior counters, producing dense, high-ink silhouettes and strong horizontal presence. Corners tend to be softened rather than sharply chamfered, while curved forms (O/C/S) read as broad, flattened ovals with sturdy joins. The lowercase is robust and compact with a single-storey a and g, short-looking ascenders/descenders relative to the large x-height, and generally closed apertures that emphasize mass over delicacy. Numerals follow the same blocky, rounded logic with large bodies and small counters for maximum punch.

Best suited to large-scale applications where immediate impact matters: headlines, posters, event graphics, bold brand marks, and packaging callouts. It also fits sports and entertainment identities that benefit from wide, muscular shapes and a retro-graphic feel.

The overall tone is assertive and energetic, with a friendly, buoyant softness that keeps the weight from feeling severe. It evokes retro signage and sports branding—confident, high-volume typography designed to grab attention quickly.

The design appears intended to deliver maximum visual impact with a wide stance and rounded, approachable geometry, balancing toughness with friendliness. Its compact counters and dense shapes suggest prioritizing poster-like presence and brand recognition over small-size text refinement.

Spacing and sidebearings appear tuned for headline density: forms sit close and read as a unified block, especially in all-caps. The wide proportions and small counters can reduce clarity at smaller sizes, while at display sizes the bold, rounded geometry becomes a defining stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸