Sans Other Rebal 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Bricked' by Cristian Mielu, 'FF Pop' by FontFont, 'Stallman Round' by Par Défaut, and 'Graund' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, logotypes, game ui, signage, industrial, sci-fi, techno, arcade, constructed, impact, compactness, futurism, utility, branding, squared, angular, geometric, modular, condensed.
A condensed, constructed sans with heavy, even strokes and sharp, squared terminals. Forms are built from straight segments and hard angles, with minimal curves and a slightly modular, stencil-like logic in places (notably in counters and joints). Counters tend to be rectangular and compact, giving the face a dense, vertical rhythm. Uppercase and lowercase share a similarly rigid geometry, with simplified bowls and diagonals that stay tight to the vertical stems for a blocky, engineered silhouette.
Best suited to short, high-impact settings such as posters, titles, branding marks, and display typography where its compact width and strong vertical texture can carry the design. It can also work for UI labels or in-world signage in games and tech-themed layouts, especially at medium-to-large sizes where the rectangular counters stay clear.
The overall tone feels industrial and techno, with a retro-digital edge reminiscent of arcade, sci‑fi, and utilitarian labeling. Its rigid geometry and compressed proportions convey authority and efficiency, reading as mechanical and purposeful rather than friendly or literary.
The design appears intended to deliver a bold, space-efficient display sans with a constructed, grid-based aesthetic. By emphasizing squared counters, hard terminals, and a consistent stroke weight, it aims for a futuristic/industrial voice that remains readable while looking deliberately engineered.
The digit set matches the alphabet’s squared construction and favors legibility through straight, high-contrast-to-background interior cutouts rather than open apertures. Spacing appears fairly tight in running text, reinforcing the compact, signage-like feel, while the angular joins and rectangular counters create a consistent, grid-aligned texture.