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Free for Commercial Use

Outline Omfo 8 is a very light, very wide, low contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, packaging, sports branding, retro, technical, playful, futuristic, sporty, display impact, graphic layering, branding, retro-tech styling, signage, geometric, rounded, monoline, inline, soft corners.


Free for commercial use
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A geometric sans rendered as an outline, with a consistent monoline contour and open counters throughout. Forms are generously wide with rounded outer curves and softened corners, giving the shapes a smooth, inflated silhouette while keeping straight stems and clean terminals. Bowls and rounds (C, O, Q, 0) are broadly proportioned, and joins are simple and sturdy, producing an even, poster-like rhythm. The lowercase shows a single-storey a and g, compact shoulders, and a tall, prominent x-height that keeps the interior space open and readable even as an outline.

Best suited to large-scale display settings such as headlines, posters, event graphics, and brand marks where the outline drawing can stay crisp and intentional. It also works well for packaging, apparel, and sporty/tech-themed identities, and can be effective for layered treatments (outlined over imagery, inline color fills, or stroked signage applications).

The font conveys a retro-tech and sporty tone—like stadium lettering or arcade-era display type—tempered by friendly rounded geometry. Its hollow construction feels airy and modern, with a playful, graphic presence that reads more as branding and headlines than as a text workhorse.

The design appears intended as a bold display outline with a wide, geometric skeleton—optimized for graphic impact and contemporary-retro styling rather than dense reading. Its consistent contour and rounded geometry suggest an emphasis on clean reproducibility across signage, branding, and large-format applications.

Because the design relies on contour strokes rather than filled shapes, perceived color depends heavily on stroke thickness and background contrast; it will feel lighter at smaller sizes and more assertive when scaled up. The wide set and open shapes help maintain clarity in uppercase acronyms and numerals, while the outline nature invites layering, knockouts, and overprint effects.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸