Script Atdag 2 is a bold, narrow, high contrast, upright, short x-height font.
Keywords: headlines, packaging, posters, greeting cards, social media, playful, handmade, friendly, quirky, casual, handwritten warmth, casual emphasis, expressive display, personal tone, brushy, rounded, bouncy, tall ascenders, soft terminals.
A hand-drawn script with brush-like strokes and pronounced modulation, moving from thick verticals to thinner connecting strokes and curves. Letterforms are narrow and tall, with rounded shoulders, occasional loops, and slightly irregular contours that reinforce a made-by-hand rhythm. Capitals mix simple, upright structures with a few swashy gestures, while lowercase forms show compact bodies, tall ascenders, and fluid joins that read as semi-connected rather than strictly continuous. Numerals are narrow and lively, echoing the same tapered stroke behavior and informal finishing.
Best suited for short to medium display settings where its hand-rendered texture can be appreciated—such as headlines, packaging labels, posters, invitations, and social media graphics. It can also work for brief emphatic phrases in branding and editorial pull quotes, especially when a friendly, handcrafted note is desired.
The overall tone is warm and personable, with a playful, slightly quirky cadence that feels like neat handwriting done with a marker or brush pen. Its unevenness and bouncy proportions make it feel approachable and expressive rather than formal or rigid.
The design appears intended to mimic confident brush-pen handwriting with a controlled, legible structure, balancing expressive loops and tapered strokes with consistent upright alignment. It aims to provide an informal script voice that remains readable in display sizes while retaining a distinctly handmade character.
Spacing appears intentionally loose and variable, with glyph widths and sidebearings that create an organic, handwritten texture in text. Distinctive looped details on several lowercase letters and rounded entry/exit strokes help maintain flow, while the relatively compact lowercase bodies keep lines feeling light despite the dark stroke weight.