Solid Anky 11 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, album art, art deco, geometric, playful, futuristic, poster-like, graphic impact, geometric experiment, retro modernism, distinct silhouettes, stenciled, cutout, modular, monoline, circular.
A geometric display design built from crisp circles, semicircles, triangles, and straight strokes. Many glyphs alternate between solid, near-monoline strokes and heavy, filled forms, creating a strong light/dark rhythm across words. Curves tend to be perfectly round and terminals are cleanly cut, with frequent use of internal cutouts, partial bowls, and simplified counters. Several letters feel modular and constructed, with occasional stencil-like breaks and dramatic, graphic silhouettes that prioritize shape over conventional readability.
Best suited for short, prominent settings such as headlines, posters, logotypes, and packaging where its graphic construction can be appreciated. It can add strong personality to branding, event titles, and cover art, but is less appropriate for dense text or small UI sizes due to its unconventional counters and extreme light/dark alternation.
The overall tone is bold and stylized, mixing sleek geometry with playful irregularity. Its contrast between delicate hairlines and solid masses gives it a theatrical, poster-friendly presence, while the circular and triangular motifs suggest a retro-futurist, Deco-adjacent attitude.
The design appears intended as a shape-driven novelty display face that explores modular geometry and the tension between hairline structure and solid masses. Its simplified counters and cutout construction aim to create distinctive silhouettes and an immediate visual identity rather than traditional text neutrality.
Legibility varies by character due to collapsed or highly reduced counters and the frequent use of solid forms, especially in rounded letters and numerals. The design reads best when given generous size and spacing so the cutouts and fine strokes don’t visually clog or disappear.