Script Rage 14 is a light, narrow, very high contrast, upright, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, whimsical, delicate, romantic, vintage, decorative, calligraphic feel, expressive caps, ornamentation, display legibility, calligraphic, flourished, hairline, swashy, looped.
A slender, calligraphy-influenced script with dramatic thick–thin modulation and frequent hairline entrances and exits. Strokes feel pen-drawn, with tapered terminals, occasional bulb-like starts, and long, looping ascenders/descenders that add vertical sparkle. Letterforms are mostly unconnected in the samples, relying on consistent slantless posture and rhythmic stroke contrast to hold the line together. Capitals are ornate and gestural, while lowercase forms are compact with small bowls and tight counters, giving the text a refined, airy texture at display sizes.
Best suited for short display applications where fine hairlines and swashes can be appreciated: wedding suites, greeting cards, boutique branding, labels/packaging, pull quotes, and elegant headlines. For readability, it performs best at larger sizes and with generous tracking and line spacing, especially in mixed-case settings.
The tone is graceful and slightly playful, balancing formal calligraphic elegance with a hand-made, storybook charm. Its high-drama contrast and looping flourishes create a romantic, boutique feel suited to celebratory or intimate messaging rather than utilitarian text.
The design appears intended to emulate a pointed-pen or dip-pen script translated into a clean digital form, emphasizing contrast, flourish, and expressive capitals. It prioritizes personality and ornament over continuous connectivity, aiming for decorative clarity in display typography.
Several letters feature pronounced entry/exit swashes (notably in capitals and in descenders like g, y, and j), which can create lively word shapes and occasional overlap in tighter settings. Numerals follow the same calligraphic logic, with thin hairline curves and heavier verticals, reading best when given space.