Sans Other Uhse 14 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: posters, titles, branding, ui labels, signage, technical, futuristic, architectural, minimal, schematic, constructed look, sci-fi tone, diagrammatic feel, display focus, angular, geometric, wireframe, modular, open counters.
This typeface is built from thin, single-stroke lines with a squared, modular construction. Many curves are replaced by straight segments and right angles, producing boxy bowls and open apertures in letters like C, G, S, and e. Joins are crisp and unbracketed, terminals are flat and often extended into small overhangs, and several glyphs show deliberate gaps or partially open outlines that create a wireframe feel. Proportions are compact with tall ascenders/descenders relative to the body, and the overall rhythm is slightly irregular in width, reinforcing a hand-engineered, grid-drawn sensibility.
It works well for display typography such as posters, album or film titles, tech branding, and short product/feature callouts where a schematic, high-tech flavor is desired. It can also suit interface labels and wayfinding at sufficient size and contrast, especially in contexts that benefit from a geometric, coded aesthetic.
The overall tone reads as technical and futuristic, like lettering drawn for diagrams, interfaces, or sci‑fi labeling. Its stark line economy and rectilinear forms feel precise, clinical, and intentionally unconventional rather than friendly or neutral.
The design appears intended to translate a grid-based, constructed sans idea into a distinctive, outline-like voice, prioritizing a geometric, drafted look over conventional text neutrality. The open corners and squared bowls suggest an aim to evoke digital or industrial systems while staying minimal and lightweight.
Legibility is best at larger sizes where the fine strokes and intentionally open constructions remain distinct; at small sizes the gaps and tight geometry can visually thin out and reduce character differentiation. The numerals and capitals share the same squared logic, giving headings and short strings a consistent, engineered texture.